Viper Room

Stoic Frame Reunion: Buddha’s Reincarnation

Published by communitypublishingabq@gmail.com on November 15, 2014 Respond Permalink

Editors Note: This article originally appeared in the CNM Chronicle written by Jonathan Baca*

Business major and musician Glenn “Buddha” Benavidez grew up in Belen, New Mexico, played lead guitar for one of Albuquerque’s most popular bands, experienced the trials and glories of near rock stardom in Hollywood, and came back to tell the tale.

In the late 90’s and early 2000’s Benavidez’s Latin hard rock band Stoic Frame became one of New Mexico’s most successful acts, moving to Los Angeles in 2001, and going on to perform at some of the nation’s biggest live music venues, such as the Viper Room, The House of Blues, and Whiskey a Go Go, he said.

“It was really hard work, but I wouldn’t change it for the world. I got to travel to the most awesome places. I have some great memories,” he said. He is now back in the Land of Enchantment, playing bass in a local reggae-rock band called Reviva, he said. Now he is married, has started a growing DJ business, and after sixteen years he is back in school, he said.

Benavidez first started playing music when he got a guitar from his grandmother on his thirteenth birthday, he said. While playing in the band 86’ed, he joined Stoic Frame, which became more and more successful as they played around Albuquerque over the next ten years, he said. Stoic Frame eventually opened for big acts such as Everclear and Alice in Chains guitarist Jerry Cantrell; they graced the main stage at an early Edge Fest music festival alongside Kid Rock, Incubus, and Limp Bizkit, he said. Benavidez said the most memor a bl e show he ever played was at the South by Southwest festival in Austin. “It was completely packed, and I just remember you could see the whole crowd was jumping. We could feel the floor shaking underneath our feet. That was probably the most epic show I remember with Stoic Frame,” he said.

In 2001, the band set their sights on the ultimate prize of rock stardom, quitting their jobs and moving out to California, he said. “Stoic Frame had gotten as popular as we could here in Albuquerque and New Mexico. So we wanted to expand our horizons, and basically try to do the whole rock star fairy tale in L.A. and Hollywood,” Benavidez said. The first year there was hard, he said, but the band never gave up. Benavidez got a day job at Millikan High School in Long Beach, working as an educational assistant for special needs kids, he said. But at night, he and his band were working hard trying to make a name for themselves in the ultra-competitive L.A. rock scene, he said. “It’s really different out there. You have to pay to play when you first start out,” Benavidez said.

In order to perform at the big clubs like the Viper Room, they had to sell their own tickets and pay the show promoter for the chance to take the stage, he said. Through hard work and sheer determination, they began to grow in popularity and started playing with the big boys in town, performing with many huge acts like Static X, Soulfly, and underground hip-hop hero KRS-One, he said. “It was great, man, the energy — just to play the Whiskey, where The Doors played, and the Red Hot Chili Peppers; playing the House of Blues, knowing that Prince is in the audience watching. You’re right in the middle, the heart of entertainment,” Benavidez said.

Stoic Frame made several albums at the time, including 2007’s ‘Spinning the Roulette God,’ which was recorded in Vancouver, Canada, and was the band’s last record, he said. Although they came close several times to signing with a major record label, they never quite made it, and Benavidez came home to Albuquerque in 2009, he said. “It’s a really tough business. But I don’t regret it,” he said. After coming home, he helped form the reggae-rock band Reviva, going back to bass guitar, he said.

Since then, Reviva has opened for Bob Marley’s band The Wailers, Tribal Seed, and War, and in 2011 recorded their first album, ‘Change’, at Central Root Studios, Benavidez said. Benavidez had always been interested in turntables and DJing, so he bought some equipment and began spinning under the name Buddhafunk, starting out at weddings and small parties and eventually opening for acts in clubs all around town, he said. Although the dreams of being a rock star might have faded away, Benavidez said that he still loves nothing more than playing music, and he does not plan to stop anytime soon.

“I play music for fun these days. The whole ‘making it’ thing is kind of out the door. But Reviva is just a band that moves people man, I don’t know what it is, but people love it,” he said. He said he plans to start producing electronic music next, working with rappers and MC’s. Benavidez is married to local slam poetry heroone and current Albuquerque Poet Laureate, Jessica Helen Lopez, and through her he has befriended Albuquerque’s Inaugural Poet Laureate, Hakim Bellamy, who he hopes to collaborate with soon, he said.

After everything, Glenn “Buddha” Benavidez said he encourages anyone with big dreams to go for it. “You just got to grab your dream and take it as far as you can, despite what anyone tells you. It’s a lot of hard work, but it’s worth it,” Benavidez said.

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STOIC FRAME REUNION

Saturday, November 15
The Launchpad
618 Central Ave. SW
Albuquerque, NM –
9:00pm, 21+ $10, w/ !Reviva! and Concepto Tambor

Sunday, November 16
Benefit Show for NMARB
The Cell Theatre – Special Intimate Performance with limited seating
700 1st St ,NW
Albuquerque, NM
Starting Time 2pm
All ages, $12 includes refreshments
w/ special guests from Concepto Tambor, Reviva, Keith Sanchez and the Moonthieves, and others
For Tickets visit: LiveAtTheCell.com or 505.766.9412

PRESS INFO
For more information contact:

Alex Paramo / Community Publishing
505-304-8584
alex@communitypublishing.org

*Original article by Jonathan Baca, who currently the news editor at the Daily Lobo: on Twitter @JonGabrielB

Community Publishing: From the Community For the Community!

Filed under: News & Info and Tagged: Albuquerque Poet Laureate, Hakim Bellamy, Jessica Helen R, New Mexico Academy of Rock & Blues, Red Hot Chili Peppers, Reggae, Reviva, Static X, Stoic Frame, The Doors, The Wailers, Tribal Seed, Viper Room, War

Stoic Frame Reunion: Matias “Mato” Pizarro

Published by communitypublishingabq@gmail.com on November 4, 2014 Respond Permalink

Matias Pizarro was born in Santiago, Chile then raised in Brazil, El Salvador, and eventually the United States. He started playing music at age ten, first absorbing Brazilian Samba rhythms and then learning Central American Cumbias and American Classic Rock during his teenage years in war-torn San Salvador. “We used to sneak out of our houses to go play rock n roll under palm thatched roofs in sketchy dives where you would hear nearby bombs and shootings. The older local musicians seemed to find it amusing, and they took us under their wing and showed us the ropes,’’ says Pizarro. While in Central America, he played saxophone and drums in bands throughout out middle and high school, one of which obtained a sponsorship deal with Levi Strauss of El Salvador when he was barely fourteen.

Later on during a three year stint in New York City, he studied drum set technique at world renowned music academy called Drummers Collective in the heart of the city as well as conga and Latin percussion with prominent musicians from the scene.
But Matias’ genuine musical style was defined during his tenure as drummer for Stoic Frame in Albuquerque, NM and then Los Angeles – mixing rock and funk beats with a Latin blend of rhythms, and incorporating the congas, djembe and cajon. Matias also participated actively in the Spanish lyric writing process and co-managed the band as well.

Stoic Frame’s accomplishments in the music world include national distribution, a #1 charting song on the national Spanish Rock Radio & Records charts, having music featured on major network shows such as The Shield on FX, and videos in regular rotation on MTV Español International and Univision. The band was the first independent act ever to reach the number one spot in the Latin Alternative genre. Stoic Frame toured and recorded relentlessly throughout Canada, the Southwest and the West Coast.

Concepts of Percussion

While playing with Stoic Frame, Pizarro was also a founding member of Concepto Tambor, an Afro-Latin hip hop outfit where he honed his Latin style drumming chops (Brazilian beats, afro Latin, salsa and Cumbia). Later on in his career, he discovered the electronics scene in Los Angeles, and with his band Mezklah, explored loops, sampling, sequencing and production. The band blended drum-n’-bass, Cumbia, trip hop and Afro-Cuban beats to create a unique style of music, and played renown LA venues such as Viper Room, House of Blues, Hard Rock Café, Ford Amphitheater, as well touring Mexico and securing a label deal in Japan prior to its sudden break up.

Matias has been involved in numerous other projects in Southern California and New Mexico. He currently lives in San Diego and plays with Marujah, as well as collaborating on an electro-organic dance project in NM called Tesuque Revolt. His main instruments are the drum set and congas, but he is proficient in all Latin percussion, and more recently in production and electronic music using Ableton Live. He is an eclectic musician with an extensive recording catalogue that can seamlessly transition from Rock/Pop to Latin and Electronica.